The fic is down, but here's a bit of aftermath (update...it's all been removed now, her whole journal. The screencap is all that's left.)
And here's a screencap where everyone was praising gwendolynflight about things such as the mood and the subtle interactions of the characters, and she was eating up that praise, until someone said, "OMG you copied this WHOLE BOOK." Then the post came down.
The long version: I was at the Wisconsin Book Festival today enjoying Lynda Barry talking about comics as art, literature, communication, and all that good stuff. She said that, for her, comics were a transitional place between the author's interior and exterior life. You can never live directly in her head, but you can read her comics and get a little glimpse.
I thought to myself, all art does that, doesn't it? It's this piece of yourself and your inner world that you put out there for other people to experience. There's really very little in this world that's more intrinsically personal than that.
So to see Among the Living online with a change of names and another name in the byline really violated that transitional space of mine. It certainly violated my copyright. It's been taken down, so it no longer continues to do so, but the transitional-space violation is what's leaving me queasy.
I'd also like to say that fanfic is an entirely different thing. If a reader said, "Wouldn't it be funny if Victor and Jacob got a flat tire...?" and wrote that story, using my characters and storyverse but their own plot and words, that would be fanfic. I've written half a million words of fanfic; it's how I learned to write, for good or ill. This re-tooling of Among the Living was not fanfic.
You may be wondering if this made for good publicity. No, it hasn't. I've sold two copies over this whole devastating mess. That wouldn't even pay for the McDonalds lunch we had on the way back from the Book Festival.
So, what's to be done? US authors, when you publish a work, for enhanced protection of your copyright you must register it with the US copyright office. For an electronic work, the cost is $35, and it takes about half an hour of your time. I assume it gets faster and easier after you've done it a few times. If your literary work is registered before the infringement takes place and you opt to litigate, you may collect statutory damages rather than actual money lost.
According to Wikipedia: The basic level of damages is between $750 and $30,000 per work, at the discretion of the court.
Plaintiffs who can show willful infringement may be entitled to damages up to $150,000 per work. Defendants who can show that they were "not aware and had no reason to believe" they were infringing copyright may have the damages reduced to $200 per work.
Some of my newer works are registered. By the end of this weekend they will all be registered.